Parker 100 — an Evolution and a Revolution in Design

Parker 100 — an Evolution and a Revolution in Design

When I first saw the new Parker 100 last year I had mixed feelings. The Parker “51” has been one of my favorite writing instruments for many years and this new visitor appeared to have an attitude… ‘move over cousin “51” you’re a has-been and I’m the new kid on the block!’

Well, once in my hands for review I can say the Parker 100 is a modern complement to the “51” yet this pen has qualities and design to make it stand quite separate and apart from anything ever produced by Parker. The design is borrowed from legend and brought to the 21st century with modern materials and technology. Slightly larger than the “51” or “61” I find it is still quite light and just as manageable as its smaller cousin. The 100 weighs in at 1.25 oz, slightly twice the weight of the “51” and only .25 oz more than the smaller Sonnet. So given the slightly larger profile, the lightweight makes this an almost identical feel in the hand. Learn more parker pens at http://pentrace.net/pen-doctor-side-by-side-the-parker/

The Parker 100 is 5 5/8” (142mm) closed and almost 6” (150mm) with a cap posted. The barrel is 0.498” (12.66mm) diameter, noticeably larger than my “51”s yet has a very light and comfortable fit. The satin-brushed caps and striking new style clip gives an appearance fit for the new generation. The clip is tight and gives a firm grip, and notably a smooth and solid fit when it is posted.

The trim is 23K gold or silver-plated gold trim with a high polish finish that contrasts nicely with the matte finish of the brushed caps. The metal end jewels are a bright high polish finish but are recessed so they would do not appear to be exposed to scratching or abrasion. I really like the appearance of the hooded nib and find a very slight flex, maybe not a part of the intentional design, but nevertheless we are very conscious of this performance and are able to coax a slight line variation.

The ballpoint, pencil, and rollerball are almost identical in size and they feel in the hand. Each weigh-in at 1.25 oz. The pencil is a twist-action clutch repeater, the lead is gravity fed and stored under the eraser. The ballpoint also accepts the new gel refills.

All gold trim Parker 100 fountain pens have 18K gold nibs. All silver trim fountain pens have 18K gold rhodium-plated nibs. Parker 100 caps are finished in a shimmered gold or shimmered graphite effect, and the barrels are lacquered in a choice of five modern colors. The barrel colors are Smoke Bronze, Diamond Blue, Honey White, Opal Silver, and Cobalt Black.

The filling system is either an ink cartridge or ink bottle with the Deluxe piston fill converter. Fountain pen nibs are available in XF F M and B. Parker 100 fountain pens are beautifully gift-boxed, and include a black velvet pen pouch.

So where does this model slot in the Parker family line up? I would say right with the vintage or modern “51” SE and the Sonnet.

Pen in hand image courtesy of Pentracer Joseph Camosy

Parker 100 pens are available from Fountain Pen Hospital www.fountainpenhospital.com.

© 2004 Len Provisor.

Ink review: water-resistance of blue, blue/black and black inks

Ink review: water-resistance of blue, blue/black and black inks

Last weekend I assembled some inks, a dip pen, and a large bowl of water. My goal was to test the water resistance of the blue, black, and blue/black inks I own at this moment. I certainly admit that this experiment has little relevance. After all, I don’t make a habit of soaking my journals in a fishbowl. And I use a multitude of ink colors, so if I did soak it, the result would probably be interesting, but definitely unreadable. But performing the experiment was fun, and if the results are useful to someone, that’s a nice bonus.

With a regular dip pen (Hiro Leonardt No. 41) I wrote a sentence on standard 60 grams office paper, for each ink to be tested. After the ink dried for an hour, I soaked the paper for 10 minutes. I let the paper dry completely and put the results under the scanner (in that order).

Results for blue inks

I tested the following blue inks:

  • Quink royal blue
  • Sheaffer Skrip blue
  • Penman Sapphire
  • Hema blue

Hema blue is a no-name blue ink, from the Hema store (Netherlands), that is only available in cartridges. I don’t know who manufactures this ink, but the color reminds me of Pelikan Blue. My PaperMate fountain pen with a fine nib was filled with this ink, so I used this pen for the “Hema”.  The other inks were applied with the dip pen.

None of the blue inks were very water-resistant acralic color. In fact, all of them washed away almost completely. The Skrip blue totally disappeared from the page. The other three left a very light blue shade. None of them were readable anymore.

Results for blue/black inks

I tested the following blue/black inks:

  • Sheaffer Skrip blue/black
  • Montblanc blue/black
  • Quink blue/black
  • Lamy blue/black

Most of the samples were still readable after a 10 minutes soaking. However, Quink blue/black lost a lot of its color. Only a blueish residue was left on the paper. Surprisingly the Montblanc blue/black performed excellently. I have heard terrible things about Montblanc inks, so I fully expected that it would fail this test. But it was the only ink that kept a really dark color. Skrip black lost its blue, leaving a grey line behind. But the result was still very readable, and the ink did not leave a hue on the paper. The Lamy blue/black was really disappointing. It only left a very light blue line behind, making the writing hardly readable anymore.

Results for black inks

Finally, I put the black inks out:

  • Cross black
  • Penman Ebony
  • Quink black

While the writing samples were still readable, all inks washed away somewhat. What surprised me was that the blue/black inks performed much better than the blacks. Of the blacks, Quink finished as of last. After soaking, only a blue line remained. The Penman and Cross did not give in to each other. Each one remained dark but also spread a bit.

Conclusions

Most blue/black and black inks that I tested had a reasonable water resistance at least. Overall, the blue/black inks performed better than the blacks (I had expected it the other way around). The winner is Montblanc blue/black, followed by Skrip blue/black. The real losers are the blue inks. None of them had any water resistance at all.

Of course, water resistance is only one, relatively unimportant, quality of fountain pen inks. Most important for me are the flow characteristics and the color. Since most of my writing consists of notes taking, ink permanence is not a real issue. Using a spot of ink that tends to fade over the years might even be an advantage for letter writing. After all, I write snails, not my memories.

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